Man
has always fought against the idea of his eventual demise. Egyptian funerary
objects, ancient Greek grave markers, mediaeval depictions of Christ’s
crucifixion and resurrection all serve as artistic avoidance objects to escape
the grotesque idea that we die and decompose into nonentity. What intrigues me
is the way in which an artist both depicts and embodies this struggle by
creating works which attempt to survive him or memorialize the patron who
commissioned his work. Memento Mori, on the other hand, thematically categorizes a number of artworks which focus on reminding us of the brevity of our lives, the emptiness
of earthly possessions and futility of vanity so that we are inspired to “seize
the day” and make the most of our finite existence. Time, vanity, judgment, and
immortality are all recurring themes in the memento mori arts correlating with
the images of clocks, wilted flowers, heaven, and hell. My exhibit “Gone
Tomorrow” explores the theme of evanescent man and his “dance of death” from as
far back as Ancient Egyptian times to the modern day.
This exhibit displays artworks such as that of “The
Singer of Amun Nany’s Funerary Papyrus” and Jan van Eyck’s "The
Crucifixion; The Last Judgment" which depict scenes of religious judgment
and the allure of the afterlife. These artistic representations of death would not
only remind the viewer of their mortality but that they must live righteously
so that they may be redeemed in view of the gods. “Vanitas Still Life” and “The
Penitent Magdalen” portray themes of vanity and its hollowness in the threat of
old age and inescapable expiry, warning the spectator of pleasure’s futility
and the pithiness of life.
Egyptian Dynasty 21
"The Singer Amun Nany's Funerary Papyrus"
ca. 1050 B.C.
Egyptian Art
Greek, Attic (Classical Period)
"Miniature terracotta squat lekythos (oil flask) with siren"
mid-5th century B.C.
Greek and Roman art
Indonesian (Java)
"The Buddhist Guardian Mahabala"
11th century
Asian Art
Jan van Eyck
"The Crucifixion; The Last Judgment"
1435-40
European Paintings
Jacques de Gheyn II
"Vanitas Still Life"
1603
European Paintings
Georges de La Tour
"The Penitent Magdalen"
1640
European Paintings
Utagawa Toyokuni I
"Takigawa of the Pleasure House"
Early 19 century
Asian Art
Edouard Manet
"The Dead Christ and the Angels"
1864
European Paintings
Timothy H. O'Sullivan
"A Harvest of Death, Gettysburg, Pennsylvania"
1863
Photographs
William Kentridge
"The Refusal of Time"
2012
Modern and Contemporary Art